• Podcast inspired by "The Only Constant" from Annett Bone, The DancePreneuring Studio‎

    May, 2019
    The Only Constant performed by LACDC at The Odyssey provided thoughts on 10 constant things in dance, life, and business. Listen to the podcast.
  • LMU performance featured in the Daily Breeze

    January, 2019
    The Los Angeles Contemporary Dance Company accompanied the performances of the LMU music department with stunning dancing.
  • Review of "The Only Constant" by Gillian Ebersole,

    January, 2019
    Carson’s work is profoundly moving, a testament to the human spirit. In the city of Los Angeles, where vulnerability is often pushed aside in favour of perfection, "The Only Constant" brings humanity center stage. -Gillian Ebersole,
  • Review of "The Only Constant" by Matthew Shaffer, LA Dance Chronicle

    January, 2019
    The piece left me with the space to question my patterns, friendships, and goals, while examining our endless desire to escape reality.  “The Only Constant” clearly confirmed that contemporary dance thrives in Los Angeles.   -Matthew Shaffer, LA Dance Chronicle
  • Read our featured article in Juneau Empire

    October, 2018
    Genevieve Carson, the opera’s choreographer and director of the Los Angeles Contemporary Dance Company, is from Juneau and said it’s pretty special to be working and collaborating in her hometown.
  • Review of "Adaptation" in New Zealand by Felicity Molloy, theatreview

    October, 2018
    The final work had me gasping. A generation of ‘Me Too’ has influenced the dancing scene. Costuming and flying hair are cleverly juxtaposed by some great ensemble dancing, strength in female understanding.
  • LACDC company member Tess Hewlett featured in DanceSpirit Magazine

    May, 2018
    My dream day would continue at The Sweat Spot where I'd teach my class called Give & Take. The Sweat Spot is owned by Ryan Heffington—it's my favorite studio to teach at in L.A. Give & Take is a contemporary class that helps dancers connect with their bodies and the space they're in.
  • Review of “Stimulaze” by Laura Bleiberg, Emphasis Dance Blog

    February, 2018
    "All four (dancers) were remarkable, in this often humorous piece that required split-second timing. Using gesture as metaphor, the dancers grabbed each other, pushed and pulled, fell onto and lifted one another." -- Laura Bleiberg, Emphasis Dance
  • Review of "Stimulaze" by Beth Megill, LA Dance Review

    February, 2018
    The work was so subtle in its slip into insanity that it was a while before the audience relaxed into the humor of the work. The dancers were convincing, athletic, unapologetic, and darn-right funny. --Beth Megill, LA Dance Review
  • Review of “summer” by Jeff Slayton, LA Dance Chronicle

    January, 2018
    "[Stephanie] Zaletel asks one to look, to see and to hopefully feel [...] The entire cast of 13 dancers maintain a beautiful sense of calm, stillness and loneliness throughout the work." -Jeff Slayton, LA Dance Chronicle