Press
Feature on the first ever L.A. Contemporary Choreography Lab by Katherine Murphy, Artful Efforts
July, 2019"LACDC’s 'huge experiment,' Choreography Lab, is a huge success. CLICK HERE to read more.The Dance Podcast interviews Artistic Director Genevieve Carson
July, 2019Artistic Director Genevieve Carson shares insights on her career and choreographic process. CLICK HERE to listen.Feature on Artistic Director Genevieve Carson by Jeff Slayton, LA Dance Chronicle
May, 2019CLICK HERE to read about our Artistic Director's journey as a dancer and choreographer.Podcast inspired by "The Only Constant" from Annett Bone, The DancePreneuring Studio
May, 2019The Only Constant performed by LACDC at The Odyssey provided thoughts on 10 constant things in dance, life, and business. Listen to the podcast.LMU performance featured in the Daily Breeze
January, 2019The Los Angeles Contemporary Dance Company accompanied the performances of the LMU music department with stunning dancing.Review of "The Only Constant" by Matthew Shaffer, LA Dance Chronicle
January, 2019The piece left me with the space to question my patterns, friendships, and goals, while examining our endless desire to escape reality. “The Only Constant” clearly confirmed that contemporary dance thrives in Los Angeles. -Matthew Shaffer, LA Dance ChronicleReview of "The Only Constant" by Gillian Ebersole, Bachtrack.com
January, 2019Carson’s work is profoundly moving, a testament to the human spirit. In the city of Los Angeles, where vulnerability is often pushed aside in favour of perfection, "The Only Constant" brings humanity center stage. -Gillian Ebersole, Bachtrack.comRead our featured article in Juneau Empire
October, 2018Genevieve Carson, the opera’s choreographer and director of the Los Angeles Contemporary Dance Company, is from Juneau and said it’s pretty special to be working and collaborating in her hometown.Review of "Adaptation" in New Zealand by Felicity Molloy, theatreview
October, 2018The final work had me gasping. A generation of ‘Me Too’ has influenced the dancing scene. Costuming and flying hair are cleverly juxtaposed by some great ensemble dancing, strength in female understanding.LACDC company member Tess Hewlett featured in DanceSpirit Magazine
May, 2018My dream day would continue at The Sweat Spot where I'd teach my class called Give & Take. The Sweat Spot is owned by Ryan Heffington—it's my favorite studio to teach at in L.A. Give & Take is a contemporary class that helps dancers connect with their bodies and the space they're in.