"[George's] dance vocabulary runs the gamut from modern to jazz, ballet to street, with a deft touch of musical theater tossed in. The movement emanates from the core with the torso always in use and the arms beautifully rendered. With small gestures or perhaps a nod of the head [he] captures the musical accents and innuendo throughout. He understands the need to keep the stage moving, yet also knows when to slow it down for a solo or unison work. I was instantly drawn in." - Tam Warner (L.A. Dance Chronicle)