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HISTORY
 The L.A. Contemporary Dance Company began as a business plan in an arts management class at the University of Southern California. Michelle Mierz (Executive Director), then an entrepreneurial business major in the Marshall School of Business, and Kate Hutter (Artistic Director), a Theatrical Design major and independent choreographer studying in the School of Theatre, were paired to prepare a final project; a non-profit dance company serving the Los Angeles area. With the plan drafted and a passionate team to support it, the project grew to become the realized dream that it is today.
While pursuing their independent career paths and further education, these young entrepreneurs were laying the foundation for LACDC to take root in its first season, fall 2006. The successful reception of The Reveal, the company’s debut concert at Highways Performance Space in July 2005, took them to the next level of making their business plan a reality and producing dance as L.A.’s newest resident dance company, LACDC.
LACDC REPERTORY
2010
| The Rogue Robots of Dr. Drea | Choreography by Kate Hutter |
| I Am Arachnid | Choreography by Kate Hutter |
| Gods and Marionettes | Co-directed by choreographer, Kate Hutter and theatre director, David Bridel |
2009
| Day at the Zoo | Choreography by Kate Hutter |
| Value System | Choreography by Paulo Alcedo, Michael Crotty, Devin Fulton, Jamila Glass, Natalie Hurter, Kate Hutter, Nichol Mason, Erik Speth and Diana Vaden |
| Body Mecanique | Co-directed by choreographer, Kate Hutter and playwright, Aaron Henne |
| A Soldier's Tale | Choreography by Kate Hutter, Directed by David Bridel |
| Reflections of Lino | Co-choreographed by Kate Hutter and Erik Speth |
| Initiator | Choreography by Adam Parson |
| rEVOLUTION | Choreography by Scott Hislop |
| I Ran | Choreography by Kate Hutter |
| Operation Sneak-a-Peek | Choreography by Jamila Glass |
2008
| The Nerd and the Jock | Choreography by Kate Hutter |
| Opening of BCAM | Co-choreographed by Kate Hutter and Michael Crotty |
| Hyper Super Ultra Now | Choreography by Kate Hutter |
| Clippings | Choreography by Kate Hutter |
| The Wagon Train is Divided | Choreography by Mecca Vazie Andrews |
| Animus | Choreography by Nichol Mason |
| Pop Rocks | Choreography by Mecca Vazie Andrews, Michael Crotty, Bahareh Ebrahimzadeh, Devin Fulton, Jamila Glass, Kate Hutter, Jolieba Jackson and Leslie Scott |
| From the Office of Internal Affairs | Choreography by Kate Hutter |
| Excavating Grey | Choreography by Kevin Williamson |
2007
| Big Skirt Woman Dance | Choreography by Kate Hutter |
| Poignant Phrases | Choreography by Kate Hutter |
| The Union | Choreography by Terri Best |
| Diary Entry Final | Choreography by Ryan Heffington |
| Passion Plays (full length version) | Choreography by Kate Hutter |
| pinky swear | Co-directed by Kate Hutter and Kevin Williamson |
| Nightlight | Co-choreographed by Kate Hutter and Nichol Mason |
2006
| Pause | Choreography by Kate Hutter |
| Untitled | Choreography by Shari Brookler |
| Reeling | Choreography by Laura Karlin |
2005
| Tragicomedy for the Melodramatic | Choreography by Kate Hutter |
| The Test Kitchen | Improvised performance directed by Kate Hutter |
A Personalized Approach to Life by
the Founders of Insecurity and Ego | Choreography by Kate Hutter |
| Passion Plays (duet) | Choreography by Kate Hutter |
| Adjective Noun Verb! | Choreography by Kate Hutter |
2004
| Triptych | Choreography by Kate Hutter |
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